Aphrodite

Aphrodite
Goddess of love, lust, passion, pleasure, beauty, and sexuality
Member of the Twelve Olympians
The Ludovisi Cnidian Aphrodite, Roman marble copy (torso and thighs) with restored head, arms, legs and drapery support
AbodeMount Olympus
PlanetVenus
Animalsdolphin, sparrow, dove, swan, hare, goose, bee, fish, butterfly
Symbolrose, seashell, pearl, mirror, girdle, anemone, lettuce, narcissus
Treemyrrh, myrtle, apple, pomegranate
Personal information
ParentsZeus and Dione (according to Homer)[1]
Uranus (according to Hesiod)[2]
Consort
ChildrenEros, Phobos, Deimos, Harmonia, Pothos, Anteros, Himeros, Hermaphroditus, Rhodos, Eryx, Peitho, The Graces, Beroe, Golgos, Priapus, Aeneas
Equivalents
Roman equivalentVenus
Canaanite equivalentAstarte
Mesopotamian equivalentInanna
Egyptian equivalentHathor, Isis

Aphrodite (/ˌæfrəˈdt/ , AF-rə-DY-tee)[3] is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman goddess counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Greco-Roman culture, an idea which is now generally seen as erroneous.

In Hesiod's Theogony, Aphrodite is born off the coast of Cythera from the foam (ἀφρός, aphrós) produced by Uranus's genitals, which his son Cronus had severed and thrown into the sea. In Homer's Iliad, however, she is the daughter of Zeus and Dione. Plato, in his Symposium, asserts that these two origins actually belong to separate entities: Aphrodite Urania (a transcendent, "Heavenly" Aphrodite) and Aphrodite Pandemos (Aphrodite common to "all the people").[4] Aphrodite had many other epithets, each emphasizing a different aspect of the same goddess, or used by a different local cult. Thus she was also known as Cytherea (Lady of Cythera) and Cypris (Lady of Cyprus), because both locations claimed to be the place of her birth.

In Greek mythology, Aphrodite was married to Hephaestus, the god of fire, blacksmiths and metalworking. Aphrodite was frequently unfaithful to him and had many lovers; in the Odyssey, she is caught in the act of adultery with Ares, the god of war. In the First Homeric Hymn to Aphrodite, she seduces the mortal shepherd Anchises. Aphrodite was also the surrogate mother and lover of the mortal shepherd Adonis, who was killed by a wild boar. Along with Athena and Hera, Aphrodite was one of the three goddesses whose feud resulted in the beginning of the Trojan War and she plays a major role throughout the Iliad. Aphrodite has been featured in Western art as a symbol of female beauty and has appeared in numerous works of Western literature. She is a major deity in modern Neopagan religions, including the Church of Aphrodite, Wicca, and Hellenismos.

  1. ^ Homer, Iliad 5.370.
  2. ^ Hesiod, Theogony, 188–90.
  3. ^ Greek: Ἀφροδίτη, translit. Aphrodítē; Attic Greek pronunciation: [a.pʰro.dǐː.tɛː], Koinē Greek: [a.ɸroˈdi.te̝], Modern Greek: [a.froˈði.ti]
  4. ^ This claim is made at Symposium 180e. It is hard to interpret the role of the various speeches in the dialogue and their relationship to what Plato actually thought; therefore, it is controversial whether Plato, in fact, believed this claim about Aphrodite. See Frisbee Sheffield, "The Role of the Earlier Speeches in the "Symposium": Plato's Endoxic Method?" in J. H. Lesher, Debra Nails & Frisbee C. C. Sheffield (eds.), Plato's Symposium: Issues in Interpretation and Reception. Harvard University Press (2006).