William Wyler

William Wyler
Wyler in 1945
Born
Willi Wyler

(1902-07-01)July 1, 1902
DiedJuly 27, 1981(1981-07-27) (aged 79)
Resting placeForest Lawn Memorial Park, Glendale, California, U.S.
Occupations
  • Film director
  • producer
Years active1925–1970
Spouses
(m. 1934; div. 1936)
(m. 1938)
Children5
RelativesCarl Laemmle Jr. (cousin)
Military career
Allegiance United States
Service/branch United States Army National Guard
United States Army Air Forces
Years of service1921–1922 (National Guard)
1942–1945 (Army Air Forces)
Rank Lieutenant Colonel
Unit Army Signal Corps
New York Army National Guard
Battles/warsWorld War II
Awards Purple Heart[citation needed]
American Campaign Medal[citation needed]
European–African–Middle Eastern Campaign Medal
World War II Victory Medal[citation needed]

William Wyler (/ˈwlər/; born Willi Wyler[1] (German: [ˈvɪli ˈvi:lɐ]); July 1, 1902 – July 27, 1981) was a German-born American film director and producer. Known for his work in numerous genres over five decades, he received numerous awards and accolades, including three Academy Awards. He holds the record of twelve nominations for the Academy Award for Best Director. For his oeuvre of work, Wyler was awarded the Irving G. Thalberg Memorial Award, the Directors Guild of America Lifetime Achievement Award, and the American Film Institute Life Achievement Award.

Wyler immigrated to the United States in 1921 where he worked first for Universal Studios in New York before moving to Los Angeles. By 1925, he was the youngest director at Universal, and in 1929 he directed Hell's Heroes, Universal's first sound production filmed entirely on location. Wyler went on to win the Academy Award for Best Director three times, for Mrs. Miniver (1942), The Best Years of Our Lives (1946), and Ben-Hur (1959), all of which also won for Best Picture. He was Oscar-nominated for Dodsworth (1936), Wuthering Heights (1939), The Letter (1940), The Little Foxes (1941), The Heiress (1949), Detective Story (1952), Roman Holiday (1953), Friendly Persuasion (1956), and The Collector (1965).

Film historian Ian Freer calls Wyler a "bona fide perfectionist", whose penchant for retakes and an attempt to hone every last nuance "became the stuff of legend."[2]: 57  His ability to direct a string of classic literary adaptations into huge box-office and critical successes made him one of "Hollywood's most bankable moviemakers" from the 1930s to the 1960s. Through his talent for staging, editing, and camera movement, he turned dynamic theatrical spaces into cinematic ones.[3] Wyler is also known for his work as an actors' director, often propelling them to stardom.

  1. ^ Birth Certificate No. 1298/1902, Mulhouse Archive. According to Herman, Jan. A Talent for Trouble: The Life of Hollywood's Most Acclaimed Director. New York: G.P. Putnam's Sons, 1995. ISBN 0-399-14012-3
  2. ^ Cite error: The named reference Freer was invoked but never defined (see the help page).
  3. ^ Cite error: The named reference anb was invoked but never defined (see the help page).