Back Museum of Modern Art ALS متحف الفن الحديث (نيويورك) Arabic متحف الفن الحديث ARZ MoMA AST Nyu-York Müasir İncəsənət Muzeyi AZ Хәҙерге сәнғәт музейы (Нью-Йорк) BA Museum of Modern Art BCL Нью-Ёркскі музей сучаснага мастацтва BE Музей на модерното изкуство (MoMA) Bulgarian মিউজিয়াম অব মডার্ন আর্ট Bengali/Bangla

Museum of Modern Art

This article is about the museum in New York City. For other uses, see Museum of Modern Art (disambiguation) and Moma (disambiguation).
Not to be confused with the Metropolitan Museum of Art.

Museum of Modern Art
The Museum of Modern Art in New York City
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EstablishedNovember 7, 1929 (1929-11-07)
Location11 West 53rd Street
Manhattan, New York City, U.S.
Coordinates40°45′42″N 73°58′39″W / 40.76167°N 73.97750°W / 40.76167; -73.97750
TypeArt museum
Visitors2,190,440 (2022)[1]
DirectorGlenn D. Lowry
Public transit accessSubway: Fifth Avenue/53rd Street ("E" train​"M" train trains)
Bus: M1, M2, M3, M4, M5, M7, M10, M20, M50, M104
Websitewww.moma.org Edit this at Wikidata

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum, America's first devoted exclusively to modern art, was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site.

During the 1930s and 1950s, MoMA gained international recognition with landmark exhibitions, such as Barr's influential "Cubism and Abstract Art" in 1936, a retrospective of Pablo Picasso's works organized in 1939-40 and the "Indian Art of the United States" exhibition in 1941. Abby Rockefeller's son, Nelson, became the museum's president in 1939, playing a key role in its expansion and publicity. His brother, David Rockefeller, joined the board in 1948 and continued the family's close association with the museum. Significant events during this period included a major fire in 1958, which destroyed a painting by Claude Monet and led to the evacuation of other artworks. The museum's architectural evolution also continued, with a redesign of the sculpture garden by Philip Johnson and relocation to its current home designed by Philip L. Goodwin and Edward Durell Stone, which opened in 1939.

In later decades, the controversial decision to withdraw funding from the antiwar poster "And Babies" in 1969, and the subsequent protests, highlighted the museum's involvement in contemporary sociopolitical issues. It was also among several institutions to aid CIA in its efforts to engage in cultural propaganda during the Cold War.[2] Major expansions in the 1980s and the early 21st century, including the selection of Japanese architect Yoshio Taniguchi for a significant renovation, nearly doubled MoMA's space for exhibitions and programs. The 2000s saw the formal merger with the P.S. 1 Contemporary Art Center, and in 2019, another major renovation added significant gallery space.

In 2022, MoMA was the 17th most-visited art museum in the world and the 4th most-visited museum in the United States. MoMA's collection spans the late 19th-century to the present, and includes over 200,000 works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, as well as electronic media.[3] The museum is considered one of the most influential cultural institutions globally devoted to modern and contemporary art.[4] At the same time, MoMA has long faced criticism for developing and perpetuating Eurocentric narratives of modernism and for its insufficient focus on expanding access to socioeconomically underprivileged groups.[5][6][7] The museum has been involved in controversies regarding its labor practices, and the institution's labor union, founded in 1971, has been described as the first of its kind in the U.S.[8] The MoMA Library includes about 300,000 books and exhibition catalogs, more than 1,000 periodical titles and more than 40,000 files of ephemera about individual artists and groups.[9] The archives hold primary source material related to the history of modern and contemporary art.[10]

  1. ^ The Art Newspaper, List of most-visited museums in 2022, published 28 March 2023
  2. ^ Dasal, Jennifer (September 24, 2020). "How MoMA and the CIA Conspired to Use Unwitting Artists to Promote American Propaganda During the Cold War". Artnet News. Retrieved December 16, 2023.
  3. ^ "About the Collection". The Museum of Modern Art. Retrieved January 19, 2024.
  4. ^ Kleiner, Fred S.; Christin J. Mamiya (2005). "The Development of Modernist Art: The Early 20th Century". Gardner's Art through the Ages: The Western Perspective. Thomson Wadsworth. p. 796. ISBN 978-0-4950-0478-3. Archived from the original on May 10, 2016. The Museum of Modern Art in New York City is consistently identified as the institution most responsible for developing modernist art ... the most influential museum of modern art in the world.
  5. ^ Reilly, Maura (October 31, 2019). "MoMA's Revisionism Is Piecemeal and Problem-Filled: Feminist Art Historian Maura Reilly on the Museum's Rehang". ARTnews.com. Retrieved December 16, 2023. According to Barr, "modern art" was a synchronic, linear progression of "isms" in which one (heterosexual, white) male "genius" from Europe or the U.S. influenced another who inevitably trumped or subverted his previous master, thereby producing an avant-garde progression. Barr's story was so ingrained in the institution that it was never questioned as problematic. The fact that very few women, artists of color, and those not from Europe or North America—in other words, all "Other" artists—were not on display was not up for discussion.
  6. ^ Cotter, Holland (October 10, 2019). "MoMA Reboots With 'Modernism Plus'". The New York Times. ISSN 0362-4331. Retrieved December 16, 2023. After decades of stonewalling multiculturalism, MoMA is now acknowledging it, even investing in it, most notably in a permanent collection rehang that features art — much of it recently acquired — from Africa, Asia, South America, and African America, and a significant amount of work by women.
  7. ^ McGrath, Jack (October 18, 2019). "What the New MoMA Misunderstands About Pablo Picasso and Faith Ringgold". Frieze. Retrieved December 16, 2023. Despite MoMA's progressive intentions, however, questions remain about what revamped purpose its expansion announces – especially on the levels of education, curatorial method and economic positionality.
  8. ^ Greenberger, Alex (October 16, 2019). "'Art Workers Don't Kiss Ass': Looking Back on the Formation of MoMA's Pioneering Union in the 1970s". ARTnews.com. Retrieved December 16, 2023.
  9. ^ "Library". MoMA. Archived from the original on February 5, 2016.
  10. ^ "About the Archives". MoMA. Archived from the original on February 13, 2016.