Actor

David Garrick in Richard III on stage

An actor or actress is a person who portrays a character in a production.[1] The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is ὑποκριτής (hupokritḗs), literally "one who answers".[2] The actor's interpretation of a role—the art of acting—pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art.

Formerly, in ancient Greece and the medieval world, and in England at the time of William Shakespeare, only men could become actors, and women's roles were generally played by men or boys.[3] While Ancient Rome did allow female stage performers, only a small minority of them were given speaking parts. The commedia dell'arte of Italy, however, allowed professional women to perform early on; Lucrezia Di Siena, whose name is on a contract of actors from 10 October 1564, has been referred to as the first Italian actress known by name, with Vincenza Armani and Barbara Flaminia as the first primadonnas and the first well-documented actresses in Italy (and in Europe).[4] After the English Restoration of 1660, women began to appear onstage in England. In modern times, particularly in pantomime and some operas, women occasionally play the roles of boys or young men.[5]

  1. ^ "The dramatic world can be extended to include the 'author', the 'audience' and even the 'theatre'; but these remain 'possible' surrogates, not the 'actual' referents as such" (Elam 1980, 110).
  2. ^ "Definition of actor". Archived from the original on January 16, 2013.Hypokrites (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term hypocrisis (acting) (1994, 257, 265–267).
  3. ^ Neziroski, Lirim (2003). "narrative, lyric, drama". Theories of Media :: Keywords Glossary :: multimedia. University of Chicago. Retrieved 14 March 2009. For example, until the late 1600s, audiences were opposed to seeing women on stage, because of the belief stage performance reduced them to the status of showgirls and prostitutes. Even Shakespeare's plays were performed by boys dressed in drag.
  4. ^ Giacomo Oreglia (2002). Commedia dell'arte. Ordfront. ISBN 91-7324-602-6
  5. ^ JULIET DUSINBERRE. "Boys Becoming Women in Shakespeare's Plays" (PDF). S-sj.org. Archived from the original (PDF) on 23 July 2008. Retrieved 22 October 2017.